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Average Score:. Write a user review. Images Videos Audio Other. Add a file. Configure my preferences Accept all Our cookies. You can find more details on data protection in our privacy policy. Select all Our cookies. Website preferences. Log in. As an alternative, you can also prevent us from using cookies and permanently hide this cookies popup by clicking here. The David Mellor Singers provide the tune These features alone tell me that the MV5 is going to be friendly to use, not fiddly, that I am likely to get quick results from it, and that I shall be able to exploit its full potential.
Perhaps it's a phase I'm going through since I threw out my studio computer shock! The MV5 is a step in the right direction — it does what it does cleanly and simply.
You will need the manual to get started, because this device performs tricks other effects units cannot, but with only 10 minutes experience under your belt you can let your creativity take over and have fun!
This means that it 'understands' the rules of harmony and can add harmonies to a lead vocal that are appropriate to the key of the song. Brian May soundalikes may substitute 'guitar' for 'vocal' in the previous sentence, because the unit is not restricted to vocal processing. Up to four harmonies are allowed in four distinct and useful modes of operation.
Taking a look at the front panel first, the most obvious feature is the group of six buttons set into a musical staff with a treble clef. If you were thinking that the positions of the buttons on the staff meant something, then you had been fooled too.
It's simply a design feature, but the fact that they slope at an angle does represent the relative pitches of the harmonies, if not the actual notes. These six buttons allow the user to select four harmonies spaced above or below, or in unison, with the input note. It's a quick and easy way to create the harmony voicing you are looking for and the MV5 will select the actual pitches for you. Bypassing for the moment a group of six buttons which select the mode of operation and the key of the song — more on these later — we come to three rotary controls which set the input level, the output level of the lead vocal the source signal and the level of the harmonies.
It couldn't be simpler. A front panel XLR is provided sadly, without phantom power for a microphone input. For those of you who are as interested in the back of equipment as in the front panel, the principal features are a line input, stereo outputs, and the normal trio of MIDI sockets.
A single momentary action footswitch may be used to control the Bypass function. I'll continue to complain about these devices as long as manufacturers use them because, as well as being inconvenient, I know that the easiest way to destroy equipment is to get your warts mixed up.
This is easily done, since they seem to come in an endless variety of different voltages and polarities. Chordal Harmonies To produce chordal harmonies, the MV5 needs two inputs. One is your voice or lead instrument and the other is MIDI information from your keyboard. In this instance the keyboard isn't used to generate sounds, just to tell the MV5 which harmonies to create.
In a studio situation you would probably record the lead vocal onto tape and spend as much time perfecting it as you need, whilst the MV5 quietly bides its time in the rack. Then you could record basic chords into your synchronised sequencer, which you would then play back via MIDI into the MV5. The MV5 will analyse the chords you play, and automatically select suitable harmonies based on these chords and the settings of the Harmony Voicing buttons on the front panel.
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